Very nice ranking from critic Robert Bush at the San Diego Reader:
http://www.sandiegoreader.com/weblogs/jam-session/2011/dec/20/top-15-sd-jazz-concerts-for-2011/
Wednesday, December 21, 2011
Sunday, November 20, 2011
Ockodektet Rehearsal photos....
Rehearsal
Woodwinds:
David Borgo
Vinny Golia
Emily Hay
Andrew Pask
Tracy McMullen
Trumpets:
Dan Clucas
John Fumo
Brad Henkel
Daniel Rosenboom
Kris Tiner
Trombones:
Michael Dessen
Michael Vlatkovich
Tuba and more:
Jonathan Piper
William Roper
Piano, Keyboards, Theremin:
Wayne Peet
Acoustic Guitars:
Tom McNalley
Electric Contrabass Guitar;
Steuart Liebig
Contrabasses:
Jim Connolly (also: musical saw)
Mark Dresser
Percussion and so much more:
Rich West
Brad Dutz
Woodwinds:
David Borgo
Vinny Golia
Emily Hay
Andrew Pask
Tracy McMullen
Trumpets:
Dan Clucas
John Fumo
Brad Henkel
Daniel Rosenboom
Kris Tiner
Trombones:
Michael Dessen
Michael Vlatkovich
Tuba and more:
Jonathan Piper
William Roper
Piano, Keyboards, Theremin:
Wayne Peet
Acoustic Guitars:
Tom McNalley
Electric Contrabass Guitar;
Steuart Liebig
Contrabasses:
Jim Connolly (also: musical saw)
Mark Dresser
Percussion and so much more:
Rich West
Brad Dutz
me and Vinny
setup
setup
Andrew Pask
Sunday, October 09, 2011
Friday, October 07, 2011
Solo Session this weekend
Once again I’m stoked to be at Studio A at UCSD. This time it is to record a solo album this weekend. Setup was today, headed up by engineer Joe Kucera and grad student engineers Scott Worthington and Clint Davis.
This will be an all acoustic session. We have two “areas” set up, one for micro-sounds and one for full-on playing. The microphones are wonderful, for the micro-sound area we have a Schoeps CMC 5 mic amp with a sub-cardioid capsule and a B&K 4006 (omni), both running into an Avalon M2.
For the full-on area we have a Coles 4038 ribbon mic, a Royer SF-12 stereo ribbon mic, and two Sennheiser MKH 40's, all running into a Millennia HV-3R.
The session will be recording into Pro Tools at 96/24.
This should be a fun weekend.
This will be an all acoustic session. We have two “areas” set up, one for micro-sounds and one for full-on playing. The microphones are wonderful, for the micro-sound area we have a Schoeps CMC 5 mic amp with a sub-cardioid capsule and a B&K 4006 (omni), both running into an Avalon M2.
For the full-on area we have a Coles 4038 ribbon mic, a Royer SF-12 stereo ribbon mic, and two Sennheiser MKH 40's, all running into a Millennia HV-3R.
The session will be recording into Pro Tools at 96/24.
This should be a fun weekend.
Tuesday, August 23, 2011
A Very Tall Tree...
A great time today hiking in the Redwoods at some "secret groves" with my friend Eric Tillinghast...Please click the image to see the Tall version of this tree...More pics to come.
Saturday, August 20, 2011
Softstep and Max/MSP...
[EDIT: July 20, 2014. This software is now available at http://jeffkaiser.com/max/ AND the LEDs work fine now.]
I'm absolutely loving my Softstep...a very versatile footcontroller...smaller, lighter and does way more than any other foot controller out there at this time that I am aware of. However, in the past it required all users to use a standalone piece of software. Being a Max/MSP user, I like to do everything natively within Max itself...I think this is common with many of us Max users... Thankfully, Keith McMillen Instruments has recently come out with a Max/MSP developers kit that pointed me and several other users in a direction that allowed us to create software that runs on standard objects within Max.
In short, you drop the jk.softstep abstraction in your max patch and give it a number that corresponds to the button you want it to be associated with. Then choose the outlet you want: bangs, toggles, lists, xy data, pressure data, pressure with latching, dials, and with more options on the way. That's it, really *very* simple...even though the example patch has everything going at once...
As a warning, though, it uses common sysex that was sniffed out with a midi monitor. If used incorrectly, sysex can really scramble things. I've even heard stories of sysex permanently "bricking" hardware, although I've never personally experienced it. I've used this software daily since Thursday without any problems, but there are no guarantees.
SO,
Please, until KMI releases this information officially and with more specifics,
***No guarantees, use at your own risk***
Also: I've chosen functionality that pertains to my own use, so, not a lot of LED action. There is information inside of the jk.stepcore abstraction if you want to add this functionality.
A big thanks to my friend Chris Lavender for helping with the output stage.
[EDIT: July 20, 2014. This software is now available at http://jeffkaiser.com/max/ AND the LEDs work fine now.]
I'm absolutely loving my Softstep...a very versatile footcontroller...smaller, lighter and does way more than any other foot controller out there at this time that I am aware of. However, in the past it required all users to use a standalone piece of software. Being a Max/MSP user, I like to do everything natively within Max itself...I think this is common with many of us Max users... Thankfully, Keith McMillen Instruments has recently come out with a Max/MSP developers kit that pointed me and several other users in a direction that allowed us to create software that runs on standard objects within Max.
In short, you drop the jk.softstep abstraction in your max patch and give it a number that corresponds to the button you want it to be associated with. Then choose the outlet you want: bangs, toggles, lists, xy data, pressure data, pressure with latching, dials, and with more options on the way. That's it, really *very* simple...even though the example patch has everything going at once...
As a warning, though, it uses common sysex that was sniffed out with a midi monitor. If used incorrectly, sysex can really scramble things. I've even heard stories of sysex permanently "bricking" hardware, although I've never personally experienced it. I've used this software daily since Thursday without any problems, but there are no guarantees.
SO,
Please, until KMI releases this information officially and with more specifics,
***No guarantees, use at your own risk***
Also: I've chosen functionality that pertains to my own use, so, not a lot of LED action. There is information inside of the jk.stepcore abstraction if you want to add this functionality.
A big thanks to my friend Chris Lavender for helping with the output stage.
[EDIT: July 20, 2014. This software is now available at http://jeffkaiser.com/max/ AND the LEDs work fine now.]
Tuesday, August 16, 2011
Sunday, August 14, 2011
Vacation, August 2011...
Currently I'm in Cottage Grove, Oregon trying to write some new music for my Ockodektet concert in November and working on some Max/MSP/Jitter projects. On the way out of town, I participated in a concert at Alex Cline and Will Salmon's wonderful Open Gate Theater at the Eagle Rock Center for the Arts. The first group was the (acoustic!) trio of myself, Michael Vlatkovich and Tom McNalley, second up was Andrew Pask's rocking quartet with Wayne Peet, Steuart Liebig and Alex Cline. That night I began my drive up to Oregon, accompanied by a thermos of pu-erh and three of my dear friends: Arturo Fuente Hemingway, Oliva Serie V and La Gloria Cubana. (I also had a San Lotano, awful.)
Upon arriving, I received some good news: the score for my Alchemical Mass was accepted into an art show on experimental music notation at the Royal Nonesuch Gallery in Oakland, CA and I received the newest addition to my electro-acoustic rig: the Softstep, from Keth McMillan Instruments. More on both of these in posts to come.
After a few days here, I was treated to a lovely show at the Jazz Station in Eugene, featuring the duos of Jeff Young and Paul Pinto, and Lucio Menegon and Sabrina Siegel. Ted Killian then joined me here for a few days and while discussing Max/Msp and Jitter we feasted on many of the vegan offerings in Eugene at Morning Glory Cafe, Pizza Research Institute, the Cornbread Cafe, while remaining caffeinated by The Wandering Goat, and also attended a noise concert at the New Zone Art Gallery featuring many of my friends here in town....
Upon arriving, I received some good news: the score for my Alchemical Mass was accepted into an art show on experimental music notation at the Royal Nonesuch Gallery in Oakland, CA and I received the newest addition to my electro-acoustic rig: the Softstep, from Keth McMillan Instruments. More on both of these in posts to come.
After a few days here, I was treated to a lovely show at the Jazz Station in Eugene, featuring the duos of Jeff Young and Paul Pinto, and Lucio Menegon and Sabrina Siegel. Ted Killian then joined me here for a few days and while discussing Max/Msp and Jitter we feasted on many of the vegan offerings in Eugene at Morning Glory Cafe, Pizza Research Institute, the Cornbread Cafe, while remaining caffeinated by The Wandering Goat, and also attended a noise concert at the New Zone Art Gallery featuring many of my friends here in town....
Following are some pics, CLICK on any of them to see large versions.
Wayne Peet
Andrew Pask
Michael Vlatkovich and Wayne
Tom McNalley
Alex Cline
Andrew, Wayne, Steuart Liebib, Alex Cline
My favorite tea drinking spot.
Wild animals abound...
...
Ted Killian and I at the Pizza Research Institute before the show
Seriously amazing pizza.
Paul Pinto
Paul and Jeff Young
Paul and Jeff
Lucio Menegon and Sabrina Siegel
Lucio
I Died (Chris Gierig)
Che F. Kirk (Roger Smith)
Chris and Roger
INRI
INRI and Radiant Thaw
Radiant Thaw
Curtis Rochambeau with John 7 in the background
View of Curtis from the audience
Marlo Eggplant and Hobby Knife (Marilyn Kent)
Hobby Knife
Cornbread Cafe, vegan "comfort food:
Cornbread Cafe
Saturday, July 16, 2011
Old recordings, new places...
I've uploaded three of my earlier pfMENTUM albums with friends Vinny Golia, Woody Aplanalp and Ernesto Diaz-Infante to bandcamp...the one with Vinny is pfMENTUM CD001...! These albums were originally packaged in colored recycled paper, printed with single color soy-based ink and wrapped, not with plastic, but with hemp or jute...the digital art here tries to recreate that feel...
Friday, July 15, 2011
Wednesday, July 13, 2011
Jeff Kaiser, Michael Moore, Michael Vatcher: Live at STEIM
Jeff Kaiser, quartertone trumpet and laptop
Michael Moore, clarinets
Michael Vatcher, percussion
Michael Moore, clarinets
Michael Vatcher, percussion
Jeff Kaiser, Michael Moore, Michael Vatcher: Live at STEIM from pfMENTUM on Vimeo.
Tuesday, July 12, 2011
John Hirschmann: Iceland vs. Borneo, Volume One
I'm very excited about this project. My friend John Hirschmann has been talking about it for awhile, and it is now ready to go...Will keep you posted. Meanwhile, CLICK HERE, to listen to a sample. Click on the image to see a large version.
Friday, July 08, 2011
Tuesday, July 05, 2011
Russian Television and The Future of Music...
Jaime Oliver and Tom Erbe setting up
Tom, the Russian film crew, Jaime
My area...and inserting myself in the scene...
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